Lovers:
Theory & Practice

Project Contemporary Artspace
Wollongong, Australia
13 October - 24 October 2010
http://www.projectgallery.org/
Music
performance by Ampersand
(Kieren Brereton, Jesse Radloff, Kurt Brereton)
Artist
Statement
This
series titled Lovers: Theory & Practice tugs at old Modernist heartstrings.
The work nostalgically references some of my favourite artists from that
often overlooked deadzone period between WWI and WWII. The 1930s depression
era resonates with familiar recession-torn events, collapsing fault lines
and wake up calls, that now circumscribe our eco-apocalyptic calculations
today. Artists such as Hans Arp, Rodchenko, Kobro, Tutundjian, Strzeminski,
Nicholson, Stepanova and Delaunay all grappled with utopian ideals of
what a post-industrial modern society and culture could be after the terrors
of WWI.
The legacy of those radical and often frustrated Constructivist/Dada flappers
was picked up and remotivated in the late 1950s and early 60's. Minimalist
Beat-Gen artists such as Judd, Andre, Morris, Ryman and Martin reacted
against a new cold war of exploding plastic consumption patterns and immanent
atomic endgames by constructing calming visions that offered a contemplative
post atomic–Zen sanctuary for frazzled minds.
This installation has been constructed as an archeological dig of fragments
with allusions to those bygone dreams. A world that seems naively optimistic
today in the face of what we now see as the innocent beginnings of unraveling
environmental and global dystopias.
The lost evidence here is a series of visual displacements in time: –
seductive in their cool attention to surface detail; sensually hot colour
nuances against half forgotten overdubbed recordings.
These paintings are aesthetic product samples – chronographic maps
– that have all the dramatic promise of dream works sketched on
the analyst's couch. I recognise flotsam & jetsam-like bits of these
works from my past, yet the work can only belong to here & now.
The lovers are entwined in theory & practice – the ampersand
is a bond – two loops and a kiss – teased undone or drawn
even tighter – all those loose ends tied off & new beginnings
leading into a knotted mass of woven possibilities. |
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Lovers:Theory
& Practice Part 1, oil on canvas,
122cm x 183cm, 2010
(framed in aluminium)
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Lovers:Theory
& Practice Part 2
DVD animation - 6 mins loop
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Lovers:Theory
& Practice Part 3, mixed media,
122cm x 183cm, 2010
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Lovers:Theory
& Practice Part 2 (extract)
DVD animation - 6 mins loop
|

Lovers No1, oil on pyjama
cloth, 36 x 47cm, 2010 sold |

Lovers No2, oil on
canvas, 18 x 21cm, 2010sold
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Lovers No3, oil on canvas,
47 x 47cm, 2010sold |

Lovers No4, oil on canvas,
41 x 51cm, 2010
(framed in aluminium) |

Lovers No5 oil on canvas
41 x 51cm, 2010
(framed in aluminium)
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Lovers No6, oil on canvas,
28 x 37cm, 2010 sold |

Lovers No7, oil pastel
on tracing paper, 49 x 49cm, 2010 |

Lovers No8, oil on canvas,
37 x 48cm,2010
sold |

Lovers No9, oil on canvas,
29x33cm,2010
sold |

Lovers No10 oil on lino,
13 x 16cm, 2010
(framed in aluminium) sold |

Lovers No11, oil on canvas,
26 x 36cm, 2010 |
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